Giclées: Tiny Dots on Paper
Digital Recordings of this Info-Packed Interview plus a 15 page Outline.
How do you make more profit from each original you create? How do you make more money if you can’t make more work? How do you offer a wider range of your art to collectors who don’t have the budget for your originals?
Barry Glustoff, Robin Zelizer, and Peter Leafman of Digital Arts StudioOne answer to these questions is to make fine art reproductions. You can leverage your talents and your budget, and still sell originals. That’s like having your cake and eating it too.
Aletta de Wal interviewed our affiliate Digital Arts Studio to learn about the Giclées process and marketing strategies to display and sell your limited edition prints.
Did you know that Giclée is French slang for "squirt?" All Giclées are inkjet prints but not all inkjet prints are Giclées. Some printers don't even know the difference or are working with outdated equipment like Iris Printers they are still paying for. No one can blame them, but if you want to maintain your reputation as a fine artist you must know the difference.
You no longer have to wait for the "perfect storm" of equipment, technology and quality substrate materials. It has arrived. Digital capture of your image allows you to produce superb versions of your talent. On-demand printing helps you manage your cash flow because you can print as many copies as you want when you want them. You can even delegate packaging and shipping your editions. Think of all the time and space you can reclaim in your studio or garage!
This E-Book and recording "Giclées: Tiny Dots on Paper" will give you the down-to-earth information you need to make more money from your originals:
- Learn why you should consider reproducing your artwork as giclées
- Know what to look for when choosing a giclée printmaker
- Find out how to get quality that lives up to your originals
- Get practical tips on marketing giclées that make you money while you build your reputation
Digital Arts Studios achieves superior quality, color accuracy, and consistency on every digital imaging project. Color management is not only about technical expertise. Peter and Barry have artistic backgrounds and keen color sense that make for a winning collaboration with all of their clients, digitally “savvy” or not. Collectively, their senior staff has spent over seventy-five years in fine art, photography, sales, picture framing, manufacturing and marketing venues. Tell them we sent you!